Directed by Jean-Paul
Salomé
Written by Jean-Paul Salomé and
Laurent Vachaud
***1/2
In French and German with English subtitles
A top-secret mission at the
turning point of World War II places protection of the imminent D-Day landing
operation in the hands of a team of women.
Dropped into enemy territory, they are tasked with rescuing a British
operative trapped in occupied France – before the Nazis discover why he was
there.
The disparate, ill-prepared band
face danger at every turn. Led by
French resistance fighter Louise (a brilliant Sophie Marceau) and commanded by her
British-based brother, the women soon encounter serious complications, but not
even the most terrifying situations deter them from their new objective.
Although Female Agents (LesFemmes de l’Ombre) is fiction, it is based on actual situations faced by
genuine female agents. These women
fought for their beliefs alongside the men, and what they faced made re-integration
into post-war life just as difficult – yet gender stereotypes prevented public
recognition, and only a handful were ever decorated for their actions.
This film fulfils the director’s
avowed aim of making people aware of these women’s contribution, but
unfortunately the traditional bias has crept in with the credit. Not since Charlie’s Angels have a
bunch of gun toting ladies had such perfect lipstick, and when the chips are
down several of them behave like, well, girls. As realistic as the film otherwise is, it’s a disappointment to
find the heroines characterised as either weak/feminine or strong/unfeminine.
Despite this let down, it’s a
thrilling film. The action is tense and
unpredictable, and the period perfectly captured, from the uniforms right
through to the stretches of wartime Paris with German street signs. Ignore the rather naff sounding English
title: (a straight translation, “the women of shadow” would have had more of a
ring to it) this is a thriller with heart.
The viewer cannot be unmoved by the story, because even slightly diluted
there’s truth worth remembering in the situations it depicts.
This review was originally written for an online magazine, and is republished with permission.
No comments:
Post a Comment