Written and directed by Vincent Ward
*****
There are several adjectives impossible to avoid when
attempting to describe Vincent Ward’s latest film. Compelling is one, gripping another. Perhaps most apt is haunting – this is an utterly
absorbing, unforgettable and entirely New Zealand story of love, loss and
survival across a tumultuous time in our history.
At the centre of the film is
Puhi, a bent old woman of the Tuhoe iwi, who welcomed the then twenty one year
old Ward into her remote home back in 1978.
Over the course of two years, he filmed her daily life for his award
winning documentary on traditional Maori life, In Spring One Plants Alone.
Puhi died soon after he finished
the documentary, but Ward never forgot the charismatic woman who called him her
mokopuna mā (white
grandchild.) Sparked by his
recollections of Puhi and thirty years worth of unanswered questions about her
life, middle-aged Ward goes back to her home in the Uruwera ranges, aiming to
uncover her story.
Blending footage from his
original film, new interviews, fact finding missions and highly dramatic
re-enactments in what he describes as “part folk tale, part ballad, part
mystery story,” Ward creates a cinematically beautiful and at times dreamlike
patchwork of fact, fiction, stories handed down and the opinions of those who
remember Puhi - “the special one.”
Ward’s detective work is
captivating, each answer begging another question about this singular
woman. Who was Puhi? Why did she cling so strongly to her
mentally ill adult son? And why did she
believe she was cursed?
The filmmaker behind Vigil,
Map of the Human Heart and What Dreams May Come is no stranger to
very human, emotional stories – but this is really something different, touted
as “Vincent Ward’s most personal feature to date.” In a tribute to Puhi and his treasured memories of her, Ward
appears on camera and narrates the film, a touch which cements Rain of the Children as something very special from an already unique filmmaker.
Heartbreakingly sad, yet by turns
enchanting, funny and endearing, this is a slice of a very different kind of
life, leaving the audience with the conviction that there is nothing so
extraordinary as the life lived by an ordinary woman.
This review was originally written for an online magazine, and is republished with permission.
This review was originally written for an online magazine, and is republished with permission.
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